Typography, the influence of Dadaism and Constructivism, debates over the ideological identity of Niko Pirosmani, and the remote participation of Alexander Rodchenko and Vladimir Mayakovsky—all of these elements are reflected in the book culture of the Georgian SSR, positioning Tbilisi as a key center of early Soviet art.
The exhibition showcased over one hundred books in Georgian, alongside posters and graphic works. Many items from the collection were exhibited for the first time.